Everyone who spends any amount of time
tuning one particular stretch of RF spectrum eventually gets to know
it pretty well. One can almost recognize a station by how it sounds,
the type of programming, how strong it is and the general frequency.
Some stations just naturally become well known enough to become
mileposts or beacons, providing a reference point for that part of the
band even without good dial calibration or digital readout.
Very early on, I began to learn my way
around the radio dial tuning my parents' Silvertone console radio.
It was a late forties model with a six tube superhet receiver with RF
stage and a turntable in a roll out drawer. There were a few
mileposts developed with this receiver that grdually became familiar
not only on that radio, but on any other.
These first mileposts came to be known
by tuning the radio to find what I wanted to hear. Even in the first
grade, I knew where to find the two Waco stations: KWTX-1230 and
WACO-1460 ( Note:W-A-C-O was one of only two stations in the country
whose call letters spelled their cities of license, the other one
being WARE in Ware, Massachusetts—the call letters still belong to
99.9 FM in Waco, but the 1460 frequency has been moved to Burleson,
near Ft Worth, Texas)
Those two were soon followed by a
marker smack in the middle of the band: KMLW-1010 in Marlin. This
station was known to carry dramatizations of children's stories (
this was in the early fifties) This station was a 250 watt daytimer
licensed to Marlin then. Today it carries the call letters of KBBW
with 10 kw day and 2.5 kw night with two different directional
patterns and even two separate transmitters sites for day and night.
Between my folks and my grandfather, I
soon “acquired” several more “beacon” stations as I learned
about stations in the area that carried their Czech and German polka
programs-KBUS 1590 in Mexia ( then a 500 watt daytimer, today moved
to Waco with 2.5 kw day and 65 watts night with a four tower
directional array) KHBR 1560-Hillsboro ( still a 250 watt daytimer)
KTEM 1400 in Temple still 1 kw, and KMIL 1330 in Cameron ( 500 watt
daytimer then, now with a construction permit for 2 kw day and 250
watts night). This one was a bit confusing early on. In the mornings
it sounded like a Cameron station, but in the afternoon it sounded
like it was in Rockdale. Years later, I learned that in the
afternoons it operated out of a remote studio set up in a car
dealership in Rockdale with Rockdale community news and ads.
As time went on I learned about three
more that would actually became targets for my first crystal receiver
later: KRLD 1080 in Dallas and WFAA and WBAP on 570 and 820, in
Dallas and Fort Worth respectively.
An aside is required here for the last
two. WFAA and WBAP had a rather unusual frequency sharing
arrangement for their two frequencies up into the early 1970's. WFAA
was originally licensed to Wichita Falls and shared a frequency with
a third station in Dallas. WFAA moved to Dallas and continued that
sharing arrangement. That station eventually went dark, and somehow
WFAA and WBAP entered into the sharing agreement that had them
switching back and forth between the 570 frequency with 5 kw and the
820 frequency with 50 kw. I remember hearing the distinctive cowbell
ring when WBAP came up on a given frequency. A final agreement in the
seventies had WFAA permanently landing the 570 spot and WBAP
permanently landing the 820 spot. The 570 frequency is occupied by
KLIF today.
One other milepost station from the
early fifties for me was one of my grandfather's favorites: KSKY on
660. It broadcast from a studio in a hotel in Dallas and often had
live music. It was a 10 kw daytimer in those days and gradually
became a full time religious station. It now carries the Salem
network talk programming and runs 20 kw day and 500 watts night.
While I learned the dial positions of
these stations on the big Silvertone console, it was not difficult to
find them on any other radio, even without digital readout or even
very accurate analog dial calibrations. Their relative position,
strength, sound of the audio and programming formats made them very
distinctive and by tuning across a few of them in sequence, it was
possible to interpolate approximate frequencies in between them. Even
with the uncalibrated dial of my one tube regenerative Knightkit
receiver I could find these stations by tuning across them and have
a good idea of where I was in the band by noting the apparent
separation and position of them.
Two distant stations that became the
first real night time mileposts before any thought of DX-ing entered
my mind were WSM 650 from Nashville and KWKH 1130 from Shreveport,
Louisiana, These came about from the family listening to the Grand
Ol' Oprey on WSM and The Louisiana Hayride program on KWKH.
As I began to develop an interest in
pop music, four stations became known from peers listening for the
newest hit songs and provided new beacons or mileposts: KLIF 1190
from Dallas-a truly classic early Top-40 station ( as mentioned
before, now with those call letters on 570 with KFXR being the holder
of the 50 kw--though highly directional--signal on 1190) KBOX 1480
Tiger Radio from Dallas ( this frequency has had several call letters
since then along with several formats, most recently religious with
50 kw directional) and the other highly popular out of town station
for kids in Central Texas in those days was KTSA-550 from San
Antonio. Also on the "must " list was KFJZ-1270 from Fort Worth.
Before long, night time signals from
KOMA 1520 Oklahoma City and WLS 890 from Chicago found their place in
the pre teen and teen listening menu. Once again, music rather than a
desire for DX lead to the knowledge that stations from great
distances could be heard on the regular AM dial. However, by then,
the crystal set and regenerative receiver adventures had strongly
whetted the appetite to “ find out what's out there”
Up to this point, I had had no real
guide to finding or identifying stations. That began to change in
1957 or 58 with my discovery of a magazine called “ Radio-TV
Experimenter”. Though the magazine was essentially a collection of
construction articles, in the back of each issue was published a
segment of “ White's Radio Log”. This was a listing of radio and
tv stations across the country and in Canada and Mexico. The
magazine came out quarterly and it took three issues to get a
complete set of The Log. In one issue, AM stations would be listed
by call letters, in the next by location, and in the third, by
frequency. There were also occasional articles by CM Stansbury about
Broadcast Band DX-ing that finally cemented my dedication to a new
hobby.
Something else helped about that time,
too. My dad was building us a new house. While that was going on, we
were renting a small house nearby. One afternoon after coming home
from the grocery store I was tuning the AM radio in our 1954 Chevy
Bel Air. With warnings “ not to run the battery down” my mom let
me continue with became what was probably my first “formal” band
scan a couple hours before sunset.This would have been in 1958. With
“White's Radio Log” in hand, I started at 540 and started working
my way up. I did not write anything down, but remember a few. I
heard a weak Spanish language station on 540 which I am sure had to
have been XEWA...There was the easily recognized KTSA and WFAA on 550
and 570, what was then KTBC ( now KLBJ) 590 from Austin. KILT 610
from Houston, old friend KSKY on 660, KENS 680 from San Antonio
(later to become KBAT and now KKYX) KTRH 740 from Houston, WBAP, KCLW
900 from Hamilton, and KPRC 950 from Houston. By then supper was
ready and my first bandscan came to a halt.
When the new house was finished, I had
my own room and, better yet, a great place to permanently set up a
radio just for serious DX-ing. My dad had constructed a built in desk
in the room with electrical outlets on top. He also strung a thirty
foot length of wire under the overhang of the house and ran a lead
into the room. It fed the regenerative receiver and what soon became
my “main” DX machine: my grandfather's old five-tube Watterson
in a real wooden cabinet.
The Watterson was not finely
calibrated and was a bit unstable below 600 kc, but with the milepost
or beacon stations I had gotten to know, it was possible to get a
pretty good idea of the frequency to which it was tuned. Since the
American band plan had stations on 10 kilocycle (“hertz” wasn't
yet used then) centers, it was possible to start at one of the beacon
stations and just count carrier bumps until you got to the station
you wanted to identify. Then it was a matter of pulling out the
White's Radio Log and look at the “ possibles” based on distance
and power listed and listen for clues from the programming.
It was then that I started keeping a
rudimentary log. I was still not logging time and date entries...it
was just a basic list of “stations heard”. But, it was a start.
There was no digital readout and it was a bit of work making the
identifications, but it could be done.
And it can still be done today by
anyone taking the time. If you find yourself DX-ing “with what you
have”, and the “what “ happens to be a radio with an analog
dial, you can use these same techniques to identify your stations.
Initially, its still a matter of finding a few “beacon” stations
across the dial that you are certain of, and counting carrier humps
to figure out roughly what the target station's frequency is. There
are much better sources of station information than the old 'White's”
that are more frequently updated on the internet, with information on
directional patterns that can more easily narrow down what you might
be hearing. There are web sites to check for the “possibles” to
see if the program you are hearing matches what the “possible” is
supposed to be carrying ( though some station websites are not
necessarily up to date!)
Those days were full of adventure and
discovery as are the first days (even today!) for someone just
getting into the DX game. It was the beginning of “ The Watterson
Period” of my DX career, the opening of the door to my first
international DX and my first QSL's!
Great idea for a blog Roland- will mention it in my Radio websites column in August's (UK) RadioUser magazine. ;-)
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